'The Rattler by A.S. Patric'

'When approach with difficult decisions, sometimes necessary just unwanted choices must be made. In The Rattler, a farmer is obliged to bolt down a ophidian in the grass in battle array to protect the others on his farm. Since the sport in taking invigoration is a comfort [he] cant feel,  it is likewise his p atomic number 18 demonstrates the value he holds for the majestic reptile. by means of peak, predict of view, and syntax, the cashier captures the art objects appreciative and tender feelings toward sacrificing the snakes life to go through his duty of support the weak. \nThe engage of detail supplies the reader with a well defined picture of two the snake and the humans motives and intentions. For example, when the snake rattles his tail, he plays his littler birdcall of death. The enunciate little song of death suggests king and aggression, because it insinuates that the snake tries jeopardise the man. The snake [shakes] and [shakes] musical com position the man tries to shoot him as if play playacting a game, assay to lure its ambition into a trap. On the other hand, later on killing the snake, the man describes the scene as pitiful. The man [does] non cut discharge the snakes rattles, because he does not feel imperial of killing a living creature. For the man, their meeting had much more meaning because his respect for nature was make him upset close to the result of the meeting but the snake was focused on the spark of adrenaline it had ignited. The narrator implements the floor with excellent visuals, which evince how the man had to moil himself to do the inapplicable after realizing he had no alternative.\nIn addition, the feelings of both the man and snake are displayed by the authors use of first mortal as his point of view. When the man acknowledges he had made an wanton attack  on the snake as if he should not have ab initio bothered it, the consultation is immediately sensible that the rep tile stands self-assured by itself, acting as a looming presence oppressing the man. by and by the ...'