Natural Descriptions in Coleridges and Lord Byrons Texts Essay

Natural Descriptions in Coleridges and gentle Byrons TextsWorks Cited Missing Two closely related texts, one that weve study in this class and one that we havent, that handle natural rendering otherwise be Coleridges The Rime of the Ancient Mariner and Lord Byrons Manfred. Both of these texts underlying characters have experienced trauma, and their portrayal of their environments reveal the effects that the events have left-hand(a) on them. While Coleridges knave is unable to consolidate his past and is relegated to perpetually relive it, Byrons Manfred has protected himself from his unnamed vice by distancing himself from his feelings and environment. Obvious parallels experience between the poems, but what I found most striking was the route the narrator illustrates the events and how they result from their mode of handling the traumatic events. The Mariner comes to name with killing the albatross, and consequently killing his crewmates, by repeatedly voicing his guilt . His description of the souls passing him like the whiz of his crossbow, (l 224) assumption that telling his tale to the caveman will wash away/ The albatross blood, (ll 512-13) and expression that The pang, the curse, with which they died/ Had never passed away (ll 438-39) shows how the mariner can never accept his actions and alleviate his guilt. I think that its natural for people to want to come to terms with their past actions in order to better accept ones present state of self, which is why the mariner continually attempts to reconcile his past. The mariner is unable to accomplish this by telling others his story. His descriptions of the storys retelling are affected by his lack of reconciliation. He projects himself into the land... ...o the heavens, and the earth to Mont Blanc which is described as the monarch of mountains (1.1 60). The spirits are influential in the stories prominently for the two characters, which reflect the preoccupations and processes of dealing w ith their traumas. Lastly, the realization that the environment is subjective, due to the proponent that the sagaciousness holds. As Manfred acknowledges, The mind which is immortal makes itself / Requital for its good or malign thoughts (3.4 129-130). This originally appears in Miltons Paradise Lost, implying that its the mind that creates the heaven or the hell. And although Manfreds positioning on the mind is dark, and very sceptical, he does realize the creative power available to the subject. This same power is expressed in in their descriptions of reputation and is influenced by the methods that they go through in dealing with their trauma.