Hamlet as a Tragic Hero

As we hunch over, in that respect ar diametric types of tragedies Aristotle spoke about a certain type which involves what was at once c all tolded Peripeteia, Hamartia and Anagnorisis. He said a tragedy is characterized by a sad hero or heroine who experiences a transfer or turnabout in fortune (peripeteia) which is caused by a personal dent or mis canvass (hamartia). The d receivefall of the hero in a tragedy should non be, however, caused by an external force such as a high power, whether in the form of gods, fate or even society it should be the result of an actionor lack of actioncarried out by the hero.Finally, the hero must achieve a kind of revelation or recognition (anagnorisis) about destiny or the will of the gods, what Aristotle called a change from ignorance to awareness of a bond of love or hate. These are all characteristics that make an ideal Greek tragedy. However, our use of goods and services is to analyze William Shakespeares critical point, a Renai ssance tragedy therefore, the question at hand is, could critical point, prince of Denmark, mayhap be called and delimitate as a tragic hero?Our depression instinct is to say no, but once we start questioning ourselves and rightfully exploring the character and all that he goes through throughout the looseness of the bowels, our answers may change. In settlement the three defining moments in Greek tragedy menti championd above, if actually present, are intertwined and closely linked together. We will attempt to trans advanced those make out aspects present in Aristotles description into a completely different type of tragedy such as ? settlement and see how they would impersonate themselves in Shakespeares words.Afterwards, we will analyze this English writers work in terms of the imagery arrange in the play at hand. We must begin at the core of the play the shadow of the obsess. Before the ghost of the former king of Denmark, Hamlet senior, makes his appearance, all we know is that Hamlets father has passed away, that his uncle has taken the throne and has married his late brothers wife. Once we hear the ghosts recital the plot of the play is set in motion Hamlet goes from ignorance to experiencethat is, if we choose to believe that there actually is a ghost and that the ghost speaks the truth.The spirit tells the prince of Denmark that he was murdered and by none other than his declare brother we could take this as the princes moment of recognition, when, in a way, his whole destiny changes. He now has a new purpose in life, to avenge his fathers death. The bond of love and bosom he felt for his uncle is now completely distorted and turned into saturated hatred, anger and a thirst for revenge. The next step in our depth psychology is our tragic heros change in fortune. As we know, Hamlets plan was to get back at his uncle, and in make believe III, Scene III he has the perfect opportunity when he walks in on Claudius praying, My fault is pa st.But O, what form of prayer Can see my turn? Forgive me my foul murder? That can non be, since I am heretofore possessd Of those effects for which I did the murder My crown, mine own ambition and my queen. May one be pardond and halt the offence? Hamlet, however, hesitates and decides not to kill Claudius while in prayer because he would go to heaven, thus his desire for vengeance would not be satisfied. To take him in the purging of his soul, When he is fit and seasond for musical passage? No. Up, sword, and know thou a more horrid hent.What Hamlet was not aware of was that Claudius was not asking for forgiveness because, as he says, the reasons for which he committed the murder, his ambition and his desire for the crown and the queen, still possess him, therefore he does not regret what he did. My words travel up, my persuasions remain below. Words without thoughts never to heaven go. From this point forward everything well(p) goes downhill. Hamlet missed his one shot al l because of his lack of action. here(predicate) is where we introduce the final piece of our analysis.Hamlets tragic flaw could be his indecisiveness on how to proceed and carry out his plans or maybe his procrastination whatever it is, he made a certain mistake which made him completely responsible for later events, his death, Laertes, his mothers and Ophelias. The prince ultimately brought about his own downfall. Hamlet, as a tragedy, sure as shooting differs from the Greek mold, but it is safe to say that not entirely. I believe Shakespeares character could be considered as a sort of tragic hero if we choose to associate events the way we have throughout this paper. Of course, there is no way to determine whether or ot Hamlet truly is a tragic hero such as Aristotle meant to depict them, it is all subjective. In my opinion, the idea is not too overreaching or farf etc.ed I actually think it is a valid way of analyzing this most raise character. Our other purpose was to analy ze the imagery, and most specifically the nature imagery, found in the play. In Hamlet, Shakespeare seems to rely on nature (plants, weather, animals, etc. ) a lot to express what the characters are feeling. When it comes to analyzing specifically how he thought of the state and the people of Denmark, one word is key weeds.The weed is defined as A plant considered undesir fitting, unattractive, or troublesome, especially one suppuration where it is not wanted, as in a tend. During the time of late faggot Hamlets rule, Denmark was considered, as prince Hamlet calls it in diddle I Scene II, an unweeded garden however, once Claudius murders his brother the king and takes the crown, his sin, greed and rottenness bring decay to the kingdom. Something is rotten in the state of Denmark states Marcellus in Act I, Scene IV. The weed is the symbol of death and poison in Denmark. Claudius poisoned Hamlets father and is now poisoning everybody else with his deceit.Later on in Act III, Sce ne IV, while talking to his mother Hamlet says, Whiles order corruption, mining all within, Infects unseen. Confess yourself to heaven, Repent whats past, avoid what is to come, And do not spread the compost on the weeds, To make them ranker. He is coition her to open her eyes and realize how her new king is infecting their country he then asks her not to keep helping him in doing sonot to spread the compost on the weeds anymore. We can say, without a doubt, that throughout the whole play Shakespeare refers to the state of Denmark and its people as if they were a garden. discretion the nature imagery in Hamlet is essential to understanding the accepted meaning behind the play. Denmark used to be a beautiful, healthy garden until its gardener was poisoned when there was suddenly a new gardener the solid ground and the plants started dying and nobody did anything to fix it. The subtle way in which Shakespeare is able to use metaphor and simile over and over again in his works with out it getting tedious or discouraging is probably one of the reasons why he is considered the greatest writer in the English language.